It has been remarked that soprano Lucie St-Martin possesses a distinctive stage presence that captivates audiences. A graduate of the Conservatoire de musique de Montréal and École de musique Vincent d’Indy, this singer and actor has made it her mission to invest her performances with both musical and dramatic precision.
She stands out for the realism and depth she brings to her interpretations, notably in the title role of La Fille du tambour-major, Titania (A Midsummer Night’s Dream), Adele (Die Fledermaus), Pamina (Die Zauberflöte), Pauline (La Vie parisienne), as well as Meg Giry and Christine Daaé (The Phantom of the Opera).
Her crystal-clear voice has led to collaborations with the Orchestre Azimut, Orchestre de la Francophonie, the Orchestra of the Conservatoire de Montréal and the Opéra Bouffe du Québec. Lucie has taken part in several international workshops, including InCanto Tignano, the Lachine International Vocal Academy and Opera NUOVA. She has worked with several acclaimed professionals, including Olivier Godin, Soile Isokoski, Liz Upchurch, Jo-Anne Donoghue, Carlo Montanaro, Hervé Niquet, and Lena Hellström-Färnlöf.
She communicates her passion for dramaturgy by personally reinventing a meaning for her performances. She approaches her roles with a new perspective, bringing a unique and personal flavour to the repertoire. She is currently perfecting her craft in the roles of Cinderella, Susanna and Musetta under Ariane Girard.
Lucie St-Martin is a grant recipient from the Jacqueline Desmarais, McAbbie and Desjardins foundations, Jeunesses Musicales Canada, and the Opéra Bouffe du Québec.
Member of the Atelier lyrique de l'Opéra de Montréal, Lucie St-Martin is generously sponsored by Sue Wehner.